Sexta-feira, 28 de Novembro de 2008
Projecto Gráfico de Não-Ficção
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A Revolução Francesa, Michel Vovelle, Edições 70
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Avenida Paulista, João Pereira Coutinho, Quasi Edições.
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Com os copos, Miguel Esteves Cardoso, Assírio e Alvim
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D. Carlos. Lisboa, 1908, Marina Tavares Dias, Quimera Editores
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Escrito no mar - Livro dos Açores, Manuel Alegre e Jorge Barros, Sextante Editora
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Eu falar bonito um dia, David Sedaris, Fenda
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Indústrias Culturais, Imagens, Valores e Consumos, Rogério Santos, Edições 70
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Lenine, uma nova biografia, Dmitri Volkogonov, Edições 70
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O regicídio, Alice Samara e Rui Tavares, Tinta da China
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Os fantasmas de Serralves, André Tavares, Dafne Editora
Algumas das obras aqui referenciadas pretendem representar colecções / linhas gráficas no seu todo.
Quarta-feira, 26 de Novembro de 2008
Getting them hooked
por Chris Grupetta

You cannot judge a book by its cover. This tiresome cliché is nonsense, as most people in the book trade know. Readers do judge books by their covers and, more importantly, often make buying decisions based on a visceral reaction to jacket design.
(...) Cover design and blurb remain two of the most influential factors in any book marketing campaign, yet publishers often spend most of their time and marketing budgets on advertising rather than cover design. Much of the selection process is based on design aesthetic, with heavy use of the so-called "hunch". If a sizeable chunk of money is spent on design it is often as part of a rebranding exercise. These changes, again, tend to stem from aesthetic whims rather than market research.
A book's cover is a strong marketing opportunity, yet its possibilities have been remarkably under-researched. There is the question of whether such a creative industry as publishing should be focus-grouped to death, as has happened with so many other industries. Some argue that a more scientific approach could create homogeneity, as creativity and innovation are sacrificed at the altar of increased sales. However, even in the current climate homogeneity already rules, as cover style fads spread virus-like from publisher to publisher.
[Pode ler o resto do texto aqui/ The Bookseller]
Projecto Gráfico de Literatura
1. A história de um rapaz mau, Thomas Bailey Aldrich, Tinta da China
2. A maravilhosa viagem de Nils Holgersson, Selma Lagerlof, BI
3. Argento Vivo, Neal Stephenson, Tinta da China
4. Bomarzo, Manuel Mujica Lainez, Sextante Editora
5. Canções e outros poemas, António Botto, Quasi Edições
6. Lavagante, José Cardoso Pires, Edições Nelson de Matos
7. O alienista e outras raridades, Machado de Assis, Ovni
8. O livro de Cesário Verde, Cesário Verde, Oficina do Livro
9. Orlando Furioso, Ludovico Ariosto, Cavalo de Ferro
10. Romeu e Julieta, William Shakespeare, Oficina do Livro
Algumas das obras aqui referenciadas pretendem representar colecções / linhas gráficas no seu todo.
Outras informações aqui.